What do we mean when we say a filmmaker has returned to form? Danny Boyle has made Oscar-winning movies ( Slumdog Millionaire ), great movies that people will remember forever ( Trainspotting , 28 Days Later ), and superb, expressive movies that not many people think about anymore (Sunshine, A Life Less Ordinary) . Boyle has been making movies for so long now—and has been making them in such varied textures—that it’s hard to say what form, exactly, there is for him to return to. But Ink, which opens the Venice Film Festival, somehow feels both old-school—in the brash, Trainspotting way—and invigorating and modern; it’s almost as if Boyle…
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